Benjamin Beilman has won international praise both for his passionate performances and deep rich tone which the Washington Post called “mightily impressive.” The New York Times has praised his “handsome technique, burnished sound, and quiet confidence,” and the Strad described his playing as “pure poetry.” The Boston Globe remarked that Mr. Beilman’s “playing already has its own sure balance of technical command, intensity, and interpretive finesse.”
Highlights of Mr. Beilman’s 2021–22 season include performances of the Samuel Taylor Coleridge Violin Concerto with the Indianapolis, Toledo, and Charlotte Symphonies, as well as the premiere of a new Violin Concerto by Chris Rogerson with the Kansas City Symphony and Gemma New. In Europe, highlights include performances with the Swedish Radio Symphony and Elim Chan, the Antwerp Symphony and Krzysztof Urbański, the Toulouse Symphony and Tugan Sokhiev, and the Trondheim Symphony and Han-Na Chan. He will also return to the BBC Scottish Symphony, and the Tonkünstler Orchestra, with whom he has recorded a concerto by Thomas Larcher.
Highlights in recent seasons include debuts with the Budapest Festival Orchestra; return engagements with the Philadelphia Orchestra, both at home, and at Carnegie Hall; and his return to the London Chamber Orchestra to play-direct. In early 2018 he premiered a new work dedicated to the political activist Angela Davis written by Frederic Rzewski and commissioned by Music Accord which he has performed extensively across the U.S.
Mr. Beilman studied at the Music Institute of Chicago, the Curtis Institute of Music, and the Kronberg Academy, and has received many prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant, and a London Music Masters Award. He has an exclusive recording contract with Warner Classics and released his first disc Spectrum for the label in 2016. Mr. Beilman plays the “Ysaÿe” Guarneri del Gesù from 1740.
Mr. Beilman joined the faculty of the Curtis Institute of Music in 2022.